The whiteness of a child’s mind and death
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The film is an inner monologue in the mind of a child full of sensibility who becomes aware of the death for the first time in his existence. A fact that generates anguish and a sense of precariousness of the whole. The editing, used in allegorical function, expresses this trauma and psychic torment in evocative way.
Pictures, music and scenes are edited in a non-narrative logic which favors metaphorical concatenations, and which advances through the juxtaposition of the frames and for associations of ideas designed to define the various concepts that have been expressed.