The director reconstructs the pieces of his own bizarre childhood, between trips and hippie communes. In doing so, he finds many others who, like him, are the fruit of the social experiments of the 1970s. The result is a choral story of a generation, in her being the daughter of another generation on which the spotlight has often been turned on. The characters, often with ironic tones, demolish the myth of the flower children, reflecting on very concrete questions: what happened to that revolution? How many dangers have we been exposed to? How many dangers have we escaped? What parents are we after growing up in the denial of the concept of family?