A trip by car, crossing the Lucanian badlands, is the occasion that allows Luigi Di Gianni, one of the greatest film directors of inspiration anthropological, retraces the places of Magia Lucana, his debut work.
His love for ancestral Lucania, for rituals and magic words is also his interest in the dark and mysterious world, for a reality that cannot be understood. The dialogue with a psychic is his last chance to investigate again, this time "the other Room", in the great Kafkaesque void metaphorically represented by a "frame without a picture" as in the pages of "The Castle".
These are the last images in which the Maestro appears to the public.