original title:
The Tulse Luper Suitcases - Part II: Vaux to the Sea
italian title:
La Valigia di Luper - Parte II: Vaux to the Sea
directed by:
cast:
JJ Feild, Valentina Cervi, Raymond J. Barry, Marcel Iures, Steven Mackintosh, Jordi Mollà, Drew Mulligan, Ornella Muti, Anna Galiena, Isabella Rossellini, Roger Rees, Ana Torrent, Andrew Fitch, Ronald Pickup, Franka Potente, Andrea Bruschi, Keram Malicki-Sánchez, Scot Williams, Benjamin Davies, Massimiliano Davoli, Diana Dell'Erba, Francesca Faiella, Porgy Franssen, Francesco Martino (I), Vincent Grass, Maria Schrader, Gaspard Ulliel, Scott Handy, Claude Lebas, Richard McCabe, Ceri Mears
screenplay:
cinematography:
editing:
Elmer Leupen, Joppo in de Grot, Jaap Praamstra
set design:
costume design:
music:
producer:
production:
Gam Film, supported by Ministero della Cultura, Delux Productions, Focusfilm Kft., Kasander Film Company, ABS Production, Net Entertainment, A12 Film Studios, Intuit Pictures
world sales:
country:
UK/Netherlands/Spain/Luxembourg/Italy/Hungary
year:
2003
film run:
120'
format:
HD - colour
aspect ratio:
16:9
sound:
Dolby -E Surround
festivals & awards:
The eponymous suitcases (of which there are 92) contain the collected memories of Tulse Luper, a manic collector of forgotten records and other evidence of the twentieth century. Devised as a trilogy, Peter Greenaway’s multimedia project concentrates on a period between 1928, the year in which the element uranium was discovered in Colorado, and 1989, the year when the Berlin wall came down and the Cold War came to an end.The two central events of the past one hundred years – the confrontation between East and West and the threat of atomic warfare – have left their mark on writer and devisor of projects Tulse Luper, who spends most of his time detained in some form of prison or another. Luper’s role is hard to define: his many encounters, the injuries he has sustained and fragments of sentences that surface from his memory, all combine to produce a complex weave or structure that includes both various periods in time as well as the conditions of production and the filming of the media project itself. The 92 suitcases are fixed points within this collage; in both the film and the website that accompanies the project (http://www.tulselupernetwork.com) they refer to a level of information behind the events portrayed.The second part of the film begins with the Second World War, during which Tulse Luper is being held in a country house, and the section ends in the middle of the Cold War.