In his book Fare un film, Federico Fellini writes of a film project on Totò: "I would have liked to dedicate a small cinematic essay to him, a portrait in motion, that took into account how he was, what he was like inside and out, what his bone structure was like, what his most sensitive undoings were, his most resilient and mobile joints. I would have liked to see him in various poses, standing, sitting, horizontal, vertical, to see him and capture him fully, as one does with a documentary on certain phosphorescent fish in the depths of the sea." These words guided me on my journey into Lorenzo's world, captured at such a strange and unique moment, when an album is born.