original title:
I nostri ragazzi
directed by:
cast:
screenplay:
Valentina Ferlan, Ivano De Matteo, from the novel by Herman Koch with the same title
cinematography:
editing:
set design:
costume design:
music:
producer:
production:
Rodeo Drive, Rai Cinema, supported by Ministero della Cultura
distribution:
01 Distribution [Italy], Palace Films [Australia], Arti Film [Belgium], Bellissima Films [France], Odeon - Rosebud.21 [Greece], Arti Film [Netherlands], Panda Media [South Korea], Swallow Wings Films [Taiwan], Filmarti [Turkey], Film Movement [United States], AMP International (Airlines) [Worldwide], Skyline IFE (Airlines) [Worldwide], Spafax (Airlines) [Worldwide]
world sales:
country:
Italy
year:
2014
film run:
92'
format:
colour
release date:
05/09/2014
festivals & awards:
Two brothers, who have opposite characters and make opposite life choices: Massimo (Alessandro Gassmann) is a trendy lawyer and Paolo (Luigi Lo Cascio) is a paediatrician, their wives are constantly in conflict. They have been meeting once a month for many years in a luxury restaurant just to respect a tradition. Their conversation is always inconsistent: salted anchovies with ricotta and fried vegetables, the most recent French film to come out, the fruity scent of a wine, the latest corrupt politician. But one evening a security camera films a bravado of their respective children and the family’s balance is utterly shattered. How will the two men, two families so different, faceup to a tragic event that involves them so closely? Freely inspired by “The Dinner” by Herman Koch, this is a provocative look at the often unseen underside of contemporary bourgeois family life, that poses the questions to us all: How well do we really know our children? How well do we know ourselves?
DIRECTOR'S NOTES
"I've always been fascinated by families that reproduce, in miniature, the society around them. I come from one of these families myself, a large family that won me over with its enormous contradictions. With La bella gente, and then Balancing Act, I wanted to explore what happens when an external factor disrupts the tranquil, safe existence of a totally ordinary family that seems, at least, to be happy. But in The Dinner I go even further, in an attempt to show what happens when the explosion is set off from within, by the family itself."