original title:
Largo Baracche
directed by:
cast:
Carmine Monaco, Giovanni Savio, Mariano Di Giovanni, Giuseppe Schisano, Luca Monaco, Gennaro Masiello, Antonio De Vincenzo
cinematography:
editing:
Simona Infante, Paco Centomani
music:
producer:
production:
Bronx Film, Minerva Pictures, Eskimo, Rai Cinema, supported by Ministero della Cultura, Socialmente Pericolosi
country:
Italy
year:
2013
film run:
70'
format:
HD - colour
aspect ratio:
1.69:1
status:
Ready (29/09/2014)
festivals & awards:
The Spanish Quarter in Naples is a maze of alleys, squares, Baroque churches, and the “bassi”, the poor, teeming residential area behind Via Roma, the main thoroughfare. Yet the quarter is culturally far removed from the heart of the city: it’s a world of its own, in which the young people spend their days looking for something lift them out of their condition. Their lives are punctuated by the sounds of gunshots that echo in their memories and those of their loved ones. Carmine, Giovanni and Mariano are kids who are the product of this social fabric woven of crime and poverty. They share a common need to release their own pent-up energy beyond the confines of their own ‘hood.
DIRECTOR'S STATEMENT:
The Spanish Quarter is in the
middle of Naples, but as remote from it as Scampia,
the Sanità or all those areas that are “marginalized”,
an over-used word which means almost nothing any
more. And yet it does mean something: it means a lot
to those who experience firsthand the daily madness
of being ‘branded’, disparaged, just because of where
they live, even inside their own city. I’ve seen how
they’re treated differently, and I see it again today,
in the eyes of the kids I interview. Mariano, Carmine,
Giovanni and the others: their lives exploding around
them, their eyes speaking volumes though they don’t
say a word. They’ve got the same dreams as others
their own age. A job, a family to take to the beach
in the summer, friends to meet up with for a chat
after dinner. In the Spanish Quarter, life stands still
at times. In the “bassi”, the women stand outside
talking about the same things every day, and our
kids greet them every time, knowing full well what
they’re talking about: their concerns for the future of
the young people and the roads they will take.