original title:
Veleni
directed by:
cast:
Franca Abategiovanni, Vincenzo Amato, Lello Arena, Tosca D'Aquino, Laura De Marchi, Giulio Forges Davanzati, Roberto Herlitzka, Gea Martire, Marina Sorrenti, Norman Mozzato, Rossella Pugliese, Giuseppe Mannajuolo, Annie Pempinello
screenplay:
cinematography:
editing:
set design:
costume design:
music:
production:
Visioni Segrete, Marta Film
country:
Italy
year:
2016
film run:
90'
format:
colour
release date:
19/10/2017
1951. A small town in southern Italy inhabited only by
women. The men died during World War II, or had
emigrated to America in search of a better life. The only
ones left are don Egidio, the parish priest, the pharmacist,
Oreste, and Melograno. Melograno is an oddball misfit
whose expeditions take him into the countryside and along
mule tracks. He brings with him a gramophone on wheels
with which he regales the entire valley with masterpieces
of the European opera genre. Antonio, a teacher of literature
at a Jesuit boarding school, comes back to his hometown
for the first time after many years to attend his father’s
funeral. His father is Dr Bonadies, the town’s physician,
who specialised in psychiatry and was a friend of Carl
Gustav Jung. Dr Bonadies died in mysterious
circumstances the day before. Antonio is welcomed by his
mother, Bianca, and his aunt, Dianora. The two eccentric
women had sent Antonio away from his home while still a
child, due to Antonio’s discovery of the morbid
relationship between his father and the two women. During
the funeral, Antonio sees a woman dressed in red along the
avenues of the cemetery. He finds her presence disturbing.
She poses various unsettling questions.
In the old family palace, Palazzo Bonadies, Antonio, after an
absence of many years, sleeps restlessly, beset by nightmares
after drinking a strange infusion he had received from his
mother and aunt.
Domestic life is punctuated by some comic relief, thanks
to the presence of the family’s longstanding housekeeper,
Annunziata, who provides the counterpoint of the common
sense of the common people at large, when faced daily
with Bianca and Dianora’s bizarre foibles.
In the basement of the palace, Antonio discovers a
laboratory in which the two women cultivate
hallucinogenic plants and mushrooms. Their interest dates
back Dr Bonadies’ journey with them to Argentina, before
Antonio was born.
Stunned by this discovery, Antonio confides in Oreste, who
hands him a letter written by his father. The town harbours no
end of mysteries and puzzling encounters.
Antonio meets Marta again. Marta is a charming woman
who works as a postal clerk. Nine years before, they had
been passionate lovers.
Antonio wants to uncover the mysteries of his father’s
life. His presence represents a challenge to Bianca and
Dianora’s surreal lifestyle.
Melograno comic role and the goodness of heart of the local
womenfolk provide comic relief, a far cry from the
philosophy of hallucinogenic tripping embraced by
Antonio’s mother and aunt − their own attempt to escape the
clutches of depression.
Antonio goes back to his pupils at the boarding school
where he teaches. His tender attitude toward his charges
earns him the reprimands of the old headmaster. In the
meantime, back at Palazzo Bonadies, Bianca and Dianora
put into practice a daring plan, to the detriment of Antonio.
On his return, Antonio will be faced with many, many
surprises and dramatic turns of events, new murders and
further insidiousness. It will be a battle to the end, if he is
unveil the secrets of his family and of his own past.