The New York Times - "Italian Directors Take the Cannes Film Festival by Storm"
TALE OF TALES by Matteo Garrone
The Guardian - "fabulous in every sense"
Variety - "lavishly realized and long-overdue"
The Hollywood Reporter - "dreamy, fresh take"
Screen International - "Garrone’s most visually and aurally ravishing film"
Indiewire - "The Wackiest Fairy Tale Movie Ever"
Daily Telegraph - "fabulously sexy, defiantly unfashionable readymade cult item."
The Times - "ravishing (in every sense of the word)"
La libre Belgique - "fabulous images"
MIA MADRE by Nanni Moretti
Financial Times - "a really good film"
Le Monde - "«Mia madre»: habemus palmam?"
Liberation - "Moretti continues to evolve"
The Guardian - "warm, witty and seductive"
MEDITERRANEA by Jonas Carpignano
Variety - "a breakout"
The Hollywood Reporter - "a fascinating snapshot of the shifting population flow in a globalized world"
Little White Lies - "remarkable success"
Los Angeles Times - "tough scripted"
The Huffington Post - "opens a window on all those souls who are trying to weather the storm of belonging"
Indiewire - "the Most Timely Movie at This Year's Cannes"
The Guardian - "If a movie as rich and understanding as Mediterranea suddenly appeared every time we read about a difficult issue in the paper, maybe all of the world’s problems could be solved"
YOUTH by Paolo Sorrentino
Screen International - "Sorrentino reaches new heights of showy, utterly tasteful magnificence"
Variety - "Sorrentino’s most tender film yet"
The Hollywood Reporter - "immense visual richness, musical intensity, actorly precision"
The Times - "a visual banquet of a film, which meditates on ageing with wit and tenderness"
El Pais - "brilliant and tender"
La libre Belgique - "refined, elegant"
Le Figaro - "elegant and wonderful meditation"
THE OTHER SIDE by Paolo Minervini
The Hollywood Reporter - "lyrically made"
Variety - "soul-draining"
La libre Belgique - "very political and not rethoric at all"
Libération - "great direction, but never intrusive"